If growing up serves us in certain ways from our childhood, our project asks to what extent their family albums and photographs can take the “children” back to their childhood memories. German photographer Thomas Friedrich Schaefer has created Experiential Spaces, a series of photos that are inspired by fragments of his childhood memories of growing up. We are aware that much of the knowledge about our childhood is derived from other “things” (Brookshaw 2010 Huhn 2018 Pascoe 2013 Radley 1994). We wish to ascertain if an interdisciplinary study of childhood memories based on family photographs can help to put issues such as war traumas, forced separation and refugee, and re-settlement into anthropological perspectives (Doucet 2018). They are posted IN the article each week or you can watch at my Youtube Channel. My videos are an integral part of this sew along, be sure to watch them. In this part of the analysis, while we are working on the childhood and family photographs from the 1930s when they were living outside Iran, and also those of the 1930s to 1941 when they were living in Iran, our interest is in discovering the roles of their family albums and photographs in the construction of their childhood memories (Bate 2010 Waites 2018), especially in the context of human disasters such as war (Sarkisova and Shevchenko 2010), forced displacement (Dellios 2016 Haebich 2008 Persian 2011), and becoming a refugee (Moeller 2002 Szörényi 2006 Wright 2002). RUNS:Januto May 10, 2023, Patterns released Every Wednesday. This could be done as a written work after their own recorded voices, or they could just write them directly from their memories. They study the albums as a whole and think and write about them, and then again go through each photograph one by one and create captions for them. Besides our extensive talks and exchange of ideas, I have scanned all of their family photographs and provided high quality resolution images for them for use in our project. While in Iran they were aged between one month and six years old and, as previously mentioned, some of them also were born there. In our project, we are using the family photographs and albums of German civilian internees of Persia as material culture and mediums for encapsulating the memories of their children (the collaborators in this project), especially those of their childhood when they were in Iran.
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